______________________________TECHNOLOGIES OF COLLECTIVE DREAMING____VIDEO WITH THE AUTONOMOUS INTERCULTURAL INDIGENOUS UNIVERSITY OF THE INDIGENOUS REGIONAL COUNCIL OF CAUCA & LAESCUELA____IN ‘EDUCATION AS RESISTANCE’ CURATED BY MIGUEL BRACELI IN MoMA PS1, NY - 2026, MALBA & PINACOTECA DE SAO PAULO - 2025____
______________________________TECHNOLOGIES OF COLLECTIVE DREAMING____ACTIVATION IN THE EXHIBITION ‘TELEPATIAS HUMEDAS’ BY JUAN PABLO PACHECO CURATED BY DANIELA GUTIERREZ GONZALES & SEBASTIAN MIRA IN ESPACIO ODEON, BOGOTA - IMAGES BY GREGORIO DIAZ____2025____
______________________________TECHNOLOGIES OF COLLECTIVE DREAMING____ACTIVATION IN THE EXHIBITION ‘TELEPATIAS HUMEDAS’ BY JUAN PABLO PACHECO CURATED BY DANIELA GUTIERREZ GONZALES & SEBASTIAN MIRA IN ESPACIO ODEON, BOGOTA - IMAGES BY GREGORIO DIAZ____2025____
______________________________TECHNOLOGIES OF COLLECTIVE DREAMING____ACTIVATION IN THE EXHIBITION ‘TELEPATIAS HUMEDAS’ BY JUAN PABLO PACHECO CURATED BY DANIELA GUTIERREZ GONZALES & SEBASTIAN MIRA IN ESPACIO ODEON, BOGOTA - IMAGES BY GREGORIO DIAZ____2025____
______________________________TECHNOLOGIES OF COLLECTIVE DREAMING____ACTIVATION IN THE EXHIBITION ‘TELEPATIAS HUMEDAS’ BY JUAN PABLO PACHECO CURATED BY DANIELA GUTIERREZ GONZALES & SEBASTIAN MIRA IN ESPACIO ODEON, BOGOTA - IMAGES BY GREGORIO DIAZ____2025____
_________________________________________TECHNOLOGIES OF COLLECTIVE DREAMING____ACTIVATION IN ‘LA ESCUELA ITINERANTE DE ARTES PLASTICAS & VISUALES’ IN RESGUARDO INDIGENA DE PULULO____2024____________________________________________
________________________________________TECHNOLOGIES OF COLLECTIVE DREAMING____ACTIVATION IN ‘LA ESCUELA ITINERANTE DE ARTES PLASTICAS & VISUALES’ IN RESGUARDO INDIGENA DE PULULO____2024____________________________________________
________________________________________TECHNOLOGIES OF COLLECTIVE DREAMING____ACTIVATION WITH LUIS ALBERTO AGUILLON BY THE KAMENTSA COMMUNITY IN ‘MATRIX VEGETAL’ BY THE ARTIST PATRICIA DOMINGUEZ IN THE 1st BIENNIAL OF BOGOTA____INVITED BY MARIA WILLS____2025____
________________________________________TECHNOLOGIES OF COLLECTIVE DREAMING____ACTIVATION WITH LUIS ALBERTO AGUILLON BY THE KAMENTSA COMMUNITY IN ‘MATRIX VEGETAL’ BY THE ARTIST PATRICIA DOMINGUEZ IN THE 1st BIENNIAL OF BOGOTA____INVITED BY MARIA WILLS____2025____
________________________________________TECHNOLOGIES OF COLLECTIVE DREAMING____ACTIVATION WITH LUIS ALBERTO AGUILLON BY THE KAMENTSA COMMUNITY IN ‘MATRIX VEGETAL’ BY THE ARTIST PATRICIA DOMINGUEZ IN THE 1st BIENNIAL OF BOGOTA____INVITED BY MARIA WILLS____2025____
________________________________________TECHNOLOGIES OF COLLECTIVE DREAMING____ACTIVATION WITH LUIS ALBERTO AGUILLON BY THE KAMENTSA COMMUNITY IN ‘MATRIX VEGETAL’ BY THE ARTIST PATRICIA DOMINGUEZ IN THE 1st BIENNIAL OF BOGOTA____INVITED BY MARIA WILLS____2025____
AS A MESTIZO ARTIST IN LONG-TERM DIALOGUE WITH INDIGENOUS TERRITORIES IN THE KAUKA REGION OF TODAYS COLOMBIA, THE COLLECTIVE DREAMING ENCOUNTERS ARE RELATIONAL INFRASTRUCTURES WHERE DREAMING BECOMES A SHARED TECHNICAL PRACTICE — A COSMOTECHNIC. SITUATED FROM ABYA YALA AS A COSMOPOLITICAL STANCE, THESE ENCOUNTERS CHALLENGE THE MODERN REDUCTION OF DREAMING TO BRAIN ACTIVITY AND PLANTS TO BIOCHEMICAL RESOURCES. COCA AND DATURA LEAVES ARE APPROACHED NOT AS SUBSTANCES, BUT AS VEGETAL INTERFACES THAT MEDIATE ACCESS TO CONSTELLATIONS OF PERCEPTION.
THE ENCOUNTERS TAKE FORM THROUGH SCULPTURAL AND INSTALLATION-BASED ENVIRONMENTS: ARCHITECTURES FOR REST, SOUND ATMOSPHERES, VEGETAL TEXTILES, VEGETAL PRESENCES, AND PROTOCOLS OF CARE. GROUNDED IN SUSTAINED DIALOGUE WITH INDIGENOUS METHODOLOGIES, AND THE PRESENCE OF TRADITIONAL HEALERS FROM NASA, KOKONUKO, YANAKUNA & KAMENTSA COMMUNITIES, THESE ENCOUNTERS PROPOSE A PLURIVERSAL ARTIFICIALITY — ONE PRODUCED THROUGH RECIPROCITY RATHER THAN SCIENTIFIC EXTRACTION — WHERE TECHNIQUE IS REDEFINED AS RELATION AND ARTIFICIALITY BECOMES INTERWOVEN RESONANCES FOR COEXISTENCE AMONG WORLDS.
THE ENCOUNTERS TAKE FORM THROUGH SCULPTURAL AND INSTALLATION-BASED ENVIRONMENTS: ARCHITECTURES FOR REST, SOUND ATMOSPHERES, VEGETAL TEXTILES, VEGETAL PRESENCES, AND PROTOCOLS OF CARE. GROUNDED IN SUSTAINED DIALOGUE WITH INDIGENOUS METHODOLOGIES, AND THE PRESENCE OF TRADITIONAL HEALERS FROM NASA, KOKONUKO, YANAKUNA & KAMENTSA COMMUNITIES, THESE ENCOUNTERS PROPOSE A PLURIVERSAL ARTIFICIALITY — ONE PRODUCED THROUGH RECIPROCITY RATHER THAN SCIENTIFIC EXTRACTION — WHERE TECHNIQUE IS REDEFINED AS RELATION AND ARTIFICIALITY BECOMES INTERWOVEN RESONANCES FOR COEXISTENCE AMONG WORLDS.