BUNKER ARCHEOLOGY ____________________SCULPTURE-SUIT____________________100 CMS X 80 X 90 CMS________________________________________IN ‘UUS YAHTX’ IN THE THEATER GUILLERMO VALENCIA IN POPAYAN____________________2018____________________
BUNKER ARCHEOLOGY ____________________INSTALLATION____________________13 MILITARY SACKS PAINTED IN WHITE WITH COLORFUL PUBLICITARY SLOGANS AROUND THE STEREOTYPES TOWARDS COCA PLANTS________________________________________IN ‘ON WHY POISONS ARE BITTER’ CURATED BY HELENA PRODUCCIONES IN ARTECAMARA - ARTBO____________________2019____________________
UUS YAHTX ____________________PERFORMATIVE ACTIVATION____________________INDIGENOUS GUARD OF THE INDIGENOUS REGIONAL COUNCIL OF CAUCA________________________________________IN ‘UUS YAHTX’ IN THE THEATER GUILLERMO VALENCIA IN POPAYAN____________________2018____________________
BUNKER MOD.1____________________SCULPTURE____________________SACKS FILLED WITH COCA LEAVES________________________________________1.70 MTS X 2 MTS X 4 MTS________________________________________PART OF ‘UUS YAHTX’____________________2018____________________
UUS YAHTX ____________________VIDEO REGISTER OF THE EXHIBITION____________________3’08 MINS________________________________________IN ‘UUS YAHTX’ IN THE THEATER GUILLERMO VALENCIA IN POPAYAN____________________2018____________________
BUNKER ARCHEOLOGY ____________________SCULPTURE____________________2 MTS X 3 MTS X 5 MTS________________________________________IN ‘UUS YAHTX’ IN THE THEATER GUILLERMO VALENCIA IN POPAYAN____________________2018____________________
BUNKER ARCHEOLOGY ____________________PHOTO____________________70 CMS X 100 CMS________________________________________IN ‘UUS YAHTX’ IN THE THEATER GUILLERMO VALENCIA IN POPAYAN____________________2018____________________
DESPUES DEL TRABAJO COMO ____________________SCULPTURE/PAINTING____________________70 CMS X 135 CMS X 15 CMS________________________________________IN ‘ON WHY POISONS ARE BITTER’ CURATED BY HELENA PRODUCCIONES IN ARTECAMARA - ARTBO ____________________2019____________________
BUNKER ARCHEOLOGY ____________________SCULPTURE____________________2 MTS X 3 MTS X 5 MTS________________________________________IN ‘UUS YAHTX’ IN THE THEATER GUILLERMO VALENCIA IN POPAYAN____________________2018____________________
BUNKER MOD.1____________________SCULPTURE____________________SACKS FILLED WITH COCA LEAVES________________________________________1.70 MTS X 2 MTS X 4 MTS________________________________________PART OF ‘UUS YAHTX’____________________2018____________________
THE KISS____________________PERFORMANCE____________________3 HOURS________________________________________IN ‘UUS YAHTX’ IN THE THEATER GUILLERMO VALENCIA IN POPAYAN____________________2018____________________
WEB CAM ARTIST____________________SCULPTURE/PAINTING____________________70 CMS X 135 CMS X 15 CMS________________________________________IN ‘ON WHY POISONS ARE BITTER’ CURATED BY HELENA PRODUCCIONES IN ARTECAMARA - ARTBO ____________________2019____________________
BUNKER ARCHEOLOGY ____________________SCULPTURE____________________2 MTS X 3 MTS X 5 MTS________________________________________IN ‘UUS YAHTX’ IN THE THEATER GUILLERMO VALENCIA IN POPAYAN____________________2018____________________
UUS YAHTX ____________________PERFORMATIVE ACTIVATION____________________INDIGENOUS GUARD OF THE INDIGENOUS REGIONAL COUNCIL OF CAUCA________________________________________IN ‘UUS YAHTX’ IN THE THEATER GUILLERMO VALENCIA IN POPAYAN____________________2018____________________
JAGUAR ABRACADABRA____________________SCULPTURE/PAINTING____________________70 CMS X 135 CMS X 15 CMS________________________________________IN ‘ON WHY POISONS ARE BITTER’ CURATED BY HELENA PRODUCCIONES IN ARTECAMARA - ARTBO ____________________2019____________________
BUNKER MOD.1____________________SCULPTURE____________________SACKS FILLED OF COCA LEAVES________________________________________1.70 MTS X 2 MTS X 4 MTS________________________________________PART OF ‘UUS YAHTX’____________________2018____________________
UTOPIA WIFI EN LA ERA ____________________SCULPTURE/PAINTING____________________70 CMS X 135 CMS X 15 CMS________________________________________IN ‘ON WHY POISONS ARE BITTER’ CURATED BY HELENA PRODUCCIONES IN ARTECAMARA - ARTBO ____________________2019____________________
UUS YAHTX ____________________PERFORMATIVE ACTIVATION____________________INDIGENOUS GUARD OF THE INDIGENOUS REGIONAL COUNCIL OF CAUCA________________________________________IN ‘UUS YAHTX’ IN THE THEATER GUILLERMO VALENCIA IN POPAYAN____________________2018____________________
BUNKER ARCHEOLOGY EMERGED FROM THE PARADOX OF TWO PERSPECTIVES: 1]THE WESTERN NEOLIBERAL STEREOTYPES AROUND THE COCA PLANT AND 2] THE INTERNAL STRENGHT OF AN INDIGENOUS SYSTEM OF KNOWLEDGE IN RELATION TO PLANTS THAT DOESN’T NEED TO BE EXHIBITED TO REVEAL HIS POWER. THE INSTALLATION IS COMPOSED BY MILITARY SACKS PAINTED FROM A POST-MODERN PERSPECTIVE [IT’S ALL ABOUT THE SURFACE] WITH PUBLICITARY SLOGANS, IN RELATION WITH THE STRUCTURAL COMPOSITION IN THE INTERIOR OF THE SACKS: COCA PLANT LEAVES PROTECTED BY TRADITIONAL HEALERS THROUGH A PROCESS OF ‘RITUAL HARMONIZATION’. THE SACKS WERE ORGANIZED AS DIFFERENT SCULPTURES IN THE FORMS OF BUNKERS, ALSO AS HANGING PAINTINGS, AND AS A SUIT BUILD OF SMALL SACKS FILLED WITH COCA PLANT LEAVES.
THE MOMENT OF EXHIBITION ‘UUS YAHTX’ HAD THE COLLABORATION OF THE INDIGENOUS GUARD FROM THE INDIGENOUS REGIONAL COUNCIL OF CAUCA, WITH THE KOKONUKO AND YANAKUNA GUARDS PARTICIPATING IN THE OCCUPATION OF THE ‘FOYER’ OF THE THEATER GUILLERMO VALENCIA; A SYMBOL OF THE COLONIAL CENTER OF THE CITY OF POPAYAN, COLOMBIA. THE EXHIBITION PRESENTED THE PERFORMANCE ‘THE KISS’, THE PARTICIPATION OF THE INDIGENOUS GUARD, THE INSTALLATION AND THE SCULPTURES, ARTICULATED AROUND A PLANT OF COCA IN THE CENTER OF THE SPACE.
IN NASA YUWE, LANGUAGE OF THE NASA INDIGENOUS COMMUNITIES, ‘UUS YAHTX’ MEANS: ‘IS TO THINK FROM THE HEART AND FROM THE MIND TOWARDS AN ACTION, RESULTING IN THE ACT OF THINKING FROM BOTH CONCEPTIONS’.
THE MOMENT OF EXHIBITION ‘UUS YAHTX’ HAD THE COLLABORATION OF THE INDIGENOUS GUARD FROM THE INDIGENOUS REGIONAL COUNCIL OF CAUCA, WITH THE KOKONUKO AND YANAKUNA GUARDS PARTICIPATING IN THE OCCUPATION OF THE ‘FOYER’ OF THE THEATER GUILLERMO VALENCIA; A SYMBOL OF THE COLONIAL CENTER OF THE CITY OF POPAYAN, COLOMBIA. THE EXHIBITION PRESENTED THE PERFORMANCE ‘THE KISS’, THE PARTICIPATION OF THE INDIGENOUS GUARD, THE INSTALLATION AND THE SCULPTURES, ARTICULATED AROUND A PLANT OF COCA IN THE CENTER OF THE SPACE.
IN NASA YUWE, LANGUAGE OF THE NASA INDIGENOUS COMMUNITIES, ‘UUS YAHTX’ MEANS: ‘IS TO THINK FROM THE HEART AND FROM THE MIND TOWARDS AN ACTION, RESULTING IN THE ACT OF THINKING FROM BOTH CONCEPTIONS’.